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The epic poem of  Ludovico Ariosto , Orlando Furioso (1516–1532), oneof the most influential texts of Renaissance writing, shows not only a precisecognition of early modern cartographic knowledge, as Alexandre Doroszlaï hasillustrated it in  Ptolemée et l’hippogriffe  (1998), but also performs a complextransmedial translation of cartographic depictions. The journeys around the globeof the Christian paladins Ruggiero and Astolfo narrated by Ariosto are, in fact,performative negotiations between literary and cartographic processes. Riding theHippograph, the hybrid vehicle par excellence, Ruggiero and Astolfo fly over theEarth as if they were flying over a map. Their journeys do not merely transmediallytranslate the course to the West pursued by Early Modern Europe. Rather, bytranslating the map Ariosto performs a new geopoetics that turns away from thesymbolic dominance of the East (or “Ent-Ostung”, as Peter Sloterdijk has usefullycalled it) and offers us one of the first poetic versions of modern globalization.

Die globale Dichtung des Orlando Furioso: Von der Kartizität des Poetischen zur Geopoetik der Ent-Ostung