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The correspondence between August Strindberg and Friedrich Nietzsche in the years 1887–1889 reveals curious intellectual and aesthetic affinities. Nietzsche's enthusiastic reaction to Strindberg's drama  Fadren  recognizes that its central conflict is a struggle for power between two intellects rather than gender confrontation. In Nietzsche's  Zur Genealogie der Moral  and  Jenseits von Gut und Böse , which can be read as critical comments on Strindberg's drama, Strindberg himself finds his own position as “an opponent of everything.”

“… ein angenehmer Wind von Norden”. Nietzsche und Strindberg im Dialog