English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Cordelia Edvardsons autobiographical novel ‘Burned Child seeks the Fire’ belongs to Holocaust literature, but it is also an intricate dialogue with her mother, the poet Elisabeth Langgässer, who developed mythopoetic structures, themes and motifs to recreate Christian literature in the twentieth century. Langgässer's mythopoetic world, designed to rescue modern existence from secular nihilism, accompanied her daughter to Auschwitz. Cordelia Edvardson, however, trying to escape the annihilations of the Third Reich, had to find also an Ariadne thread to find her way out of illusory mythopoetic realm her mother had built for herself and for her daughter. Edvardson tied the thread to her Jewish companions in suffering and built a prosaic world out of the real things she encountered in Auschwitz. Solidarity with the Jewish people, with ‘am Israel’, became in the end her new fundament for life.

Ariadnefaden und Auschwitznummer. Cordelia Edvardsons Errettung aus Elisabeth Langgässers Mythenkosmos