English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

The central issue in the self-reflexive development of Don Quijote is an episode in Part I, 19, in which Sancho Panza names his master “Caballero de la Triste Figura.” The early German  Quijote -translators Joachim Caesar, Friedrich Justin Bertuch, and Ludwig Tieck rendered the phrase as “Ritter (von) der traurigen  Gestalt ,” which has been repeatedly criticized. But we may ask whether the alleged mistranslation  Gestalt  does not have an impact on Cervantes's phrase and not, perhaps, disclose something in it. It may be argued that  Figura  anticipates the status of the knight as a literary figure. The premise of the second part of the novel is the popularity of the protagonist. The sobriquet that Sacho Panza gives to Don Quijote actually serves as a promise that is fulfilled in the second part of the novel.

Die Gestalt im Gesicht. Zur Figur Don Quijotes und zu den Strukturen literarischer Reputation