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Co-authored by the English dramatists Beaumont and Fletcher,  Love’s Pilgrimage  (c. 1615–1616) is a stage adaptation of  Las dos doncellas  ( The Novel of the Two Maidens ) (1613), an exemplary novel penned by the renowned Spanish writer Miguel de Cervantes. Produced at a time when Anglo-Spanish relations were marked by an ambivalent state of religiopolitical hostility and cultural fascination, the play offers a bitterly farcical representation of the perceived ethos and social norms of the source culture. At the same time, it engages with the target culture’s political and ideological matrix, offering – oblique – commentary on the authors’ own society. This article provides a comparative study of both works, to assess both the playwrights’ representation of Spain and their stance on certain political and ideological contingencies that shaped Jacobean England.

Beaumont and Fletcher Rewrite Cervantes: Love’s Pilgrimage , a Farcical Representation of Spain and a Subversion of Jacobean Patriarchy