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The concept at issue in this book is Weltliteratur, or World Literature. Theoretical  frameworks usually view the now-famous epistolary exchange between Johann  Wolfgang von Goethe and the young Johann Peter Eckermann as the true foundation  of the concept, (though earlier promoters of similar ideas, such as August  Wilhelm Schlegel can be cited)1. Goethe wrote this to Eckermann in a well-known  letter in 1827: “National literature is now a rather unmeaning term; the epoch of  World Literature is at hand, and everyone must strive to hasten its approach”2.  Karl Marx and Friedrich Engels as well as Richard Moulton and Erich Auerbach,  among many others, also all contributed to the category from their respective  historical moments and theoretical perspectives. Marx and Engels, of course,  took a materialist point of view that emphasized the expansion of the capitalist  economic project and its progressive conquest of the world as a market. Richard  Moulton and Erich Auerbach, on the other hand, came from a humanistic philological  perspective that, as Jérôme David has put it in his reflections on the different  genealogies of World Literature, “derived from the anxious preoccupation  with what the literary works mean” (2013: 14) and focused very early on the problems  of translation and canonization that would become crucial for the conceptual  debates of our time

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Re-mapping World Literature: Writing, Book Markets and Epistemologies between Latin America and the Global South / Escrituras, mercados y epistemologías entre América Latina y el Sur Global