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From this autograph full of faults and corrections made by the author, as well as other stylistic deficits due to the author and not irregularities due to a "Kunstwollen", is questioned in textcritics through the common premise of principal faultlessness as well as stylistic uniformity and superiority of the original. Consequently, a revision of the role of the hypothetical 'archetype' for editions should be made. A typology of faults and cor­ rections made by the authors, and a further analysis of notes and colophons would be desirable for theoretical and practical textcriticism.

Einige Fragen der Textkritik am Beispiel des Liedes „Willehalm von Orlens“ (1522)