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The aim of this paper is to research the Romanesque wall paintings of the church in Kostoľany pod Tribecom (Slovakia) in the context of their artistic exchange. I will focus on three images: the Annunciation, the Nativity, and the Magi on the road. All of these pictures represent unusual iconographical types, which cannot be explained by contemporary local artistic tradition. I will argue that the master of the murals was inspired by certain image types originating in the late antique and Carolingian periods, and preserved primarily in the Mediterranean. The mode of transmission of these pictures would have been small, mobile artefacts, most of all ivories and manuscript illuminations, but also artistic manuals. Observing these possibilities I will try to further understand the genesis of these enigmatic wall paintings.

The Artistic Connections of the Romanesque Wall Paintings in Kostol’any pod Tribečom (Slovakia)