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The book of essays Smrtni grijesi feminizma (The Deadly Sins of Feminism), written by Slavenka Drakulic, and Irena Vrkljan’s novel Svila, skare (The Silk, the Shears), both published in 1984, became the samples of feminist activism and the poetics of l’ecriture feminine in Croatian literature. Considering their generic aspects and their narrative strategies focused on revealing the conflict between public/historical/political and personal/everyday/trivial, in our paper we will discuss Vrkljan’s novel as outstanding example of the emancipatory changes in the cultural field of the 1980’s. “Trivial as political” in Slavenka Drakulic’s writing, articulated through Irena Vrkljan’s autobiographical narrative, incites the emancipatory power of l’ecriture feminine that simultaneously reflects the Other in itself, produces its own difference and writes without inscribing itself. This type of women’s writing, as previously defined by Helene Cixous, is presented in Irena Vrkljan’s text as writing its own life that is “always in-between” and that undermines declared democratic values as much as the politics of literature, as understood by Jacques Ranciere. Revealing discordances between poetic and social hierarchies, women’s writing makes changes in the partition of the visible and the sayable, in the intertwining of being and writing, body and words.

„Tijelo pamćenja je pčela koja me bode.“ Emancipatorne prakse ženskog pisma 80-ih