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‘Sociocultural system’, one of the conceptual keywords which for understand the social and cultural structure in anthropology and sociology, contains three main components (material, social, expressive) if one changing occurs in its any components provokes to change in others. Music, as an expressive element of the sociocultural system, gets its share from any changing occurred in the system, even it contributes the changing. Because music is not only an expressive element, but also tightly associated with the ‘material’ and ‘social’ components of the sociocultural system. Therefore, traces of musical factors that change the system during modernization process, occure in the musical practices described with the concepts as ‘traditional’, ‘folkloric’, ‘authentic’ etc. Culture and people or communities who produce it, in order to remain their existence with the changing process, set up their strategies, reformatting older means for cultural expression besides produce new ones. This reformatting is result with ‘cultural transformation’. At the end of the modernity process starting with the technological evolution and changing in sociocultural values, on the one hand the simple structures of the traditional societies are transformed into the complex structures of the modern societies; on the other hand these simple structures are redefine combining with modern ones and acquire a new continuity in the modernity. Ozet Antropoloji ve sosyolojide toplumsal yapiyi anlamak icin kullanilan anahtar kavramlardan biri olan ‘Sosyo-kulturel dizge’, herhangi bir degisimin digerlerinde de degisime neden oldugu uc ana bilesenden (maddi, toplumsal, ifadesel) olusur. Sosyokulturel dizgenin ifadesel bir ogesi olarak muzik de sozkonusu dizgede ortaya cikan herhangi bir degisimden payini alir, hatta kimi zaman degisime katkida bulunur. Cunku muzik yalnizca bir ‘ifade’ olmayip, sosyokulturel dizgenin ‘maddi’ ve ‘toplumsal’ bilesenleri ile de siki sikiya iliskilidir. Bu nedenle, modernlesme surecinde dizgeyi degistiren muziksel etkenlerin izleri ‘geleneksel’, ‘folklorik’, ‘otantik’ vb. kavramlarla tanimlanan muzik pratiklerinde de ortaya cikar. Kultur ve onu ureten insan veya insan topluluklari ise degisim sureci ile birlikte varliklarini surdurebilmek icin stratejilerini yeni kulturel ifade araclari uretmenin yanisira eski olani yeniden bicimlendirmek uzerine de kurarlar. Bu yeniden bicimlendirme ise cogu zaman ‘kulturel donusum’ ile sonuclanir. Teknolojik ilerleme ve sosyokulturel degerlerdeki degisimlerle baslayan modernlesme sureci sonucunda, bir taraftan geleneksel toplumlarin basit yapilari modern toplumlarin karmasik yapilarina donusurken ote yandan moderniteye iliskin olanlarla yeniden tanimlandigi ve modernite icinde yeni bir sureklilik kazandigi gorulur.

uluslararası i̇nsan bilimleri dergisi

Transformation and continuity in pesna practise: The case of Breznitsa’s Pomak community&lt;p&gt;Pesna pratiğinde dönüşüm ve süreklilik: Breznitsa Pomak topluluğu örnek olayı