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Three days lasting nuptial rites as examples of rites of passage take on a new significance with the contributions of professional musicians in Bergama’s surrounding country-side like elsewhere in Turkey. These musicians living in Bergama are often ‘Roma’. Leading the profession of musicianship up until today, these local musicians provide basically two different kinds of musical service: to encode certain stages with certain tunes over the course of the ritual and to guide the transition. As a female-centered activity, the core of the marriage ritual is a process of liminality in which the bride enters a new phase in her life by the help of the other women around (aunts, musicians, etc.). Unlike the relationship between the male musicians and the groom, female Rom musicians locally named ‘dumbekciler’ stand by the bride in almost all stages of this transition and guide her to cross the inner tresholds of the ritual properly. This article aims to contribute to the understanding of the ‘liminal’ roles of the male and female Rom musicians in their company consequently to the bride, the groom and all the other members of communitas during the ritual process. Ozet Gecis rituellerinin ( rites of passage ) uc gune yayilan bir ornegi olan evlilik rituelleri, bugun Turkiye’nin pek cok yerinde oldugu gibi Bergama kirsalinda da profesyonel muzisyenlerin katkilariyla anlam kazanir. Bergama ozelinde bu muzisyenler, buyuk cogunlukla bolgede yasayan ‘Roman’lardir. Muzisyenlik meslegini gecmisten gunumuze profesyonel olarak surduren bu yerel muzisyenler, rituel kapsaminda temelde iki farkli muzik hizmeti sunarlar: Rituel akisi boyunca belirli asamalari belirli havalarla kodlamak ve gecise rehberlik etmek. Kadin merkezli bir etkinlik olan evlilik ritueli ozunde gelinin; cevresindeki diger kadinlarin (yengeler, muzisyenler vb.) yardimiyla yasaminin yeni bir evresine adim atmaya hazirlandigi bir esiksellik (liminality) surecidir. Yorede ‘dumbekciler’ olarak adlandirilan Roman kadin muzisyenler bu surecte, erkek muzisyenlerin damatla kurdugu iliskiden farkli olarak hemen her asamada gelinin yaninda bulunarak rituel ici esikleri uygun bir bicimde gecmede ona rehberlik de ederler. Bu makale erkek ve kadin Roman muzisyenlerin rituel sureci boyunca, basta gelin olmak uzere damada ve diger tum komunitas uyelerine eslik ederken sergiledikleri ‘liminal’ rollerin anlasilmasina katki sunmayi amaclar.

uluslararası i̇nsan bilimleri dergisi

Thresholds, musics and liminality: professional Rom musicians and their liminal roles in nuptial rites of Bergama region&lt;p&gt;Eşikler, müzikler ve liminalite: profesyonel Roman müzisyenler ve Bergama yöresi evlilik ritüellerindeki liminal rolleri