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Ahmed Arif, who is one of the Sociable Poets of the 1940s, wrote about the topics in his works in a romantic style. The enthusiasm and the romance in his works separates him from other poets of the era. Although he wrote only one poetry book, his poems such as Hasretinden Prangalar Eskittim, Haberin Var mi? (Icerde), Terketmedi Sevdan Beni became famous and were composed and sung by famous singers of Turkey like Funda Arar, Ahmet Kaya, Suavi, Edip Akbayram, Cem Karaca. These events made him become a famous poet not only in a narrow society who had similar thoughts, but also all over Turkey. There are many sources for the lyricism and romance that gave him this fame. However, the most important share among these many sources belongs to his love for Leyla Erbil. He did not limit his love with poems and he conveyed his love for Leyla Erbil in the letters he wrote, most of which were written between the years 1954-1959, and the last of which was written in 1977. In his poems, Ahmed Arif told his love, his environment, the intellectual world of the era, his exiles and the challenges he had experienced. All these reasons make the verbal existence of the Letters from Ahmed Arif to Leyla Erbil important. For this reason, in this study, the letters are examined in terms of verbal existence and the words in his works are classified under titles such as Basic Word Existence , Proverbs , Phrases , Terms , Verbal Structures , Reduplications , Slang and Expletives , Sayings specific to Diyarbakir , etc. and the concept areas are defined. As a result of this, it has been determined that Ahmed Arif was infatuated with Leyla Erbil, he even placed her in the very center of his personal life, sometimes he deified her, and defined her as “ My lady, my friend, by sister, my daughter, my god, my messenger ”. Moreover, it was also observed that the local sayings, phrases, and especially slang and expletives have important places in Ahmed Arif’s vocabulary. Ozet 1940 Kusagi Toplumcu Şairleri arasinda yer alan Ahmed Arif, eserlerinde dile getirdigi konulari romantik bir soylemle dile getirmistir. Bu romantik soylemin ve siirlerindeki cosku, onu doneminin diger sairlerinden ayirir. Bir tek siir kitabi olmasina ragmen, Hasretinden Parangalar Eskittim , Haberin Var mi? (Icerde) , Terketmedi Sevdan Beni gibi siirleri dilden dile dolasmis ve bestelenerek Funda Arar, Ahmet Kaya, Suavi, Edip Akbayram, Cem Karaca gibi Turkiye’nin unlu sanatcilari tarafindan seslendirilmistir. Boylece sair sadece kendisiyle benzer dusuncelere sahip dar bir cevrede degil, butun Turkiye’nin tanidigi bir sahsiyet olmustur. Ona bu unu saglayan lirizmin ve romantizmin pek cok kaynagi vardir. Ancak bu kaynaklar arasinda en onemli pay, Leyla Erbil’e duydugu asktir. Hatta o, bu askini sadece siirlerle sinirlandirmamis, cogunlugunu 1954-1959 yillari arasinda yazdigi, sonuncusunu ise 1977’de Leyla Erbil’e gonderdigi mektuplara da dokmustur. Ahmed Arif, bu mektuplarda sadece askini degil, ayni zamanda yasadigi ortami, donemin entelektuel dunyasini, surgunlerini, karsilastigi zorluklari da anlatmistir. Bu yuzden Ahmed Arif’ten Leyla Erbil’e Mektuplari ’n soz varligi onemlidir. Bunun icin bu calismada adi gecen mektuplar, soz varligi bakimindan incelenmis ve eserlerin icerigindeki sozler; temel soz varligi, deyimler, terimler, kalip sozler, ikilemeler, argo ve kufurler, Diyarbakir yoresine ait soylemler vb. biciminde tasnif edilmis. Bunun neticesinde ise, Ahmed Arif’in Leyla Erbil’e buyuk bir tutku ile baglandigi, hatta onu hayatinin merkezine yerlestirdigi, bazen de yer yer tanrilastirdigi ve “ hanimim, dostum, kardesim, kizim, peygamberim, Tanrim ” ibareleriyle tanimladigi gorulmustur. Ayrica Ahmed Arif’in soz varliginda yerel sozlerin, deyimlerin, ozellikle de argo ve kufurlerin onemli bir yer tuttugu da tespit edilmistir.

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The love moaning of a poet: the vocabulary of the letters written by Ahmed Arif to Leyla Erbil&lt;p&gt;Bir şairin aşk iniltileri: Ahmed Arif’ten Leyla Erbil’e mektupların söz varlığı