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This study was designed to investigate the situation of the classical guitar in concert programs of symphony orchestras in Turkey with respect to different variables. The sample in the research, which was carried out by survey method, is consist of the concert programs of ten symphony orchestras between the period of foundation dates and the 2013-14 concert season. In data collection process the archives of the related orchestras was searched and analysed. The gathered data analysed by frequency and percentage method. The result shows that classical guitar pieces were appeared to some extent in concert programs of the symphony orchestras in Turkey. The frequencies of the appearence of the clasical guitar pieces in the concert programs had increased through the years. This increment has gained an acceleration since 1990. The large majority of the classical guitar pieces were belonged to the 20.th century composers and the most played classical guitar piece was Concierto de Aranjuez by Rodrigo. Appearance of the Turkish pieces in the programs were very low. Until the year 2000 the great majority of the guitarists that played with the orchestras were foreigner but since 2000 Turkish guitarist were appeared mostly on stages. Ozet Bu arastirma Turkiye’de faaliyet gostermekte olan senfoni orkestralarinin konser programlarinda klasik gitarin yer alma durumunun cesitli degiskenler acisindan incelenmesi amaciyla yapilmistir. Survey yontemi kullanilarak yapilan arastirmanin orneklemini Turkiye’de faaliyet gostermekte olan kamu ve ozel sektore ait toplam on senfoni orkestrasinin, kurulus yillarindan 2013-14 konser sezonuna degin gerceklestirdikleri konser programlari olusturmaktadir. Arastirmada verilerin toplanmasi asamasinda ilgili orkestralarin arsivleri taranarak, kurulus yillarindan 2013-14 konser sezonuna degin var olan konser programlari incelenmis, verilerin degerlendirilmesinde ise frekans ve yuzde yontemi esas alinmistir. Verilerin degerlendirilmesi sonucunda Turkiye’de faaliyet gostermekte olan senfoni orkestralarinin konser programlarinda klasik gitar eserlerine belli bir olcude yer verildigi, programlarda klasik gitar eserlerinin yer alma sikliginin yillar icinde artis gosterdigi ve bu artisin 1990’dan itibaren belirgin bir ivme kazandigi sonucuna ulasilmistir. Arastirmada ayrica orkestralarin programlarinda yer alan klasik gitar eserlerinin buyuk cogunlugunun 20. Yuzyil bestecilerine ait oldugu, en fazla seslendirilen klasik gitar eserinin ise J. Rodrigo’nun “ Concierto de Aranjuez ” adli gitar koncertosu oldugu gorulmustur. Orkestralarinin konser programlarinda Turk eserlerine yer verilme oraninin ise oldukca dusuk oldugu saptanmistir. Arastirma sonucunda 1970-2000 yillari arasinda orkestra esliginde sahne alan gitaristlerin buyuk cogunlugunun yabanci uyruklu oldugu, 2000 yilindan itibaren ise Turk gitarist sayisinda belirgin bir artis yasanirken, yabanci gitarist sayisinin azaldigi tespit edilmistir.

uluslararası i̇nsan bilimleri dergisi

Examining the situation of classical guitar in symphony orchestra’s concert programmes in Turkey with respect to different variables&lt;p&gt;Türkiye’deki senfoni orkestralarının konser programlarında klasik gitarın yer alma durumunun çeşitli değişkenler açısından incelenmesi