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The crisis of myth entailed a break that threw things into nature, words to science and the image to art. This original crisis of myth, upon which the rationality of the West was established, is expressed in studies of social memory. Science privileges the social memory that joins the social world to the word (highlighting the factuality and representation found in concepts against the illusion of images), while art privileges the imaginary memory that joins the social world to the image (highlighting the imagination against the reductionism of the concept). Social practices, those ways of inhabiting the built social world and of building the inhabited social world, form memories in which the images have engraved in themselves, in a coded form, the historical processes that have taken place. This practical memory allows to identify in a transfigured way the deepest impacts of contradictions and conflicts, such as those where violence seems part of the culture.

L'image, la trace et la mémoire pratique. Pratiques sociales coutumières et les mémoires de la violence dans le Moyen Magdalena, Colombie