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Radio as technology and cultural form has played an important role in the constructions of national, regional and local political consciousnesses, throughout the world and over the 20th century. Radio has also had an essential position in the (re)creations and (re)presentations of communicative modes and ideals. It has also been partaking in time and space formations as well as identities and structures of everyday life in modernity (for example Durham Peters 1999 ; Scannell 1996 ; Thompson 1995 ; Williams 1975). Correspondingly, the fi eld of radio research has been comprehensive and wide-ranging. Although with some bias towards a westernised or Anglo-Saxon perspective focused on national (public service) broadcasting. Within this context radio’s role in society has often been understood as consisting of the transporting of particular programs partaking in the creation and mediation of a public sphere. Or it has been seen as a

The decoding of a format : examples from music radio production in Sweden and Estonia