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This paper rel ies on Latin Rhetoric as presented in the book “Rhetorica ad Herennium”. I t is interesting to observe that not only l iterature becomes influenced from Rhetoric, but also another area, which consists itself in a specific and independent language: Music. German 1 7th century doesn’t receive Rhetoric influences only in the literature, intending – through imitation and emulation in a language policy programme – the formation of a national language and literature, but also in the Music. We wil l briefly present a panorama about assimilation of rhetoric means in Music during Renaissance and 1 7th century and emphasize how an important part of elocution – the figures of speech – becomes clear in the “musical” text. In this paper we show how one can find examples of anaphor in two different musical examples.

Anáfora ou repetição em Música: figura e recurso expressivo