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This article considers the role of fluidity in two early liquid-based works by Hans Haacke and Gustav Metzger, Condensation Cube (1965) and Liquid Crystal Environment (1965). Fluidity is distinct from liquidity in that it presents a process of transition from solid to liquid in the case of Liquid Crystal Environment and liquid to gas in Condensation Cube. The stakes of this fluid process are, as I argue, crucial to understanding the critical stakes of these works in relation to Haacke and Metzger's artistic practise. By examining fluid process, I hope to show how these early pieces also contribute institutional and political criticisms that are typically associated with Haacke and Metzger's later work.

Investigating Fluidity in Hans Haacke’s Condensation Cube (1965) and Gustave Metzger’s Liquid Crystal Environment (1965)