English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The theme of emigration has been a constant motif in Mexican theatre in the 20th and 21th centuries. From Los que vuelven (1933) by Juan Bustillo Oro to Nueva York vs. El Zapotito (2010) by Verónica Musalem, the theatre has always been sensitive to this problem which includes sociopolitical, cultural, and psychological conflicts. This article aims to focus on the fate of the undocumented immigrants through the theatrical play of El viaje de los cantores (1987) by Hugo Salcedo, a key drama of contemporary Mexican theatre, whose relevance has not diminished in the last three decades.

El tema de la emigración ilegal en El viaje de los cantores de Hugo Salcedo