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The scenarios of democratic transitions extend from the spheres of politics and society to those of economy and culture. Cinema has always been one of the most suitable arts to reflect the opinions, concerns and hopes of a nation. For this reason, the birth of a new film policy indicates well in which direction does the political system of a country evolve. In my essay I try to sketch the filmic aspect of the democratic transitions, paying special attention to the Spanish case, highlighting the most remarkable elements of this cinematographic transformation in the political context of the period.

Cine en la transición, transición en el cine: los marcos de la formación de una política cinematográfica democrática en España