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[ES]A pesar del interes que el romanticismo como movimiento ha despertadoen los ultimos anos en sus multiples manifiestaciones artisticas, el propioconcepto de “romanticismo”, como reconoce Flitter: “sigue siendo para losestudiosos de la literatura no solo una fertil fuente de ideas sino lo que es masdesconcertante, una confusa marana de enunciados contradictorios” (1995: 1). Yes que desde que Johann Nikolaus Bolh von Faber desatara la caja de los truenos afinales del siglo XVIII con una primera exposicion en Espana de las ideasromanticas y la posterior contestacion, no menos furibunda de Jose Joaquin deMora, muchos criticos y estudiosos han sido los que, a lo largo del tiempo, hanintentado aproximarse al movimiento buscando su acotacion, es decir, otorgarlede alguna manera un significado academico. Detras de ese intento frustado desistematizacion es facil encontrar en ambos grupos un deseo de establecer uncanon literario que recogiera de alguna manera un determinado espiritu nacional,ya que como el propio Duran iba a reconocer mas tarde, toda gran literatura naceen buena medida condicionada por el caracter nacional del pueblo que laproduce.; [EN]Despite the interest that Romanticism as a movement has arousedin recent years in its many artistic manifestos, the veryconcept of "romance" as acknowledged Flitter: "remains forliterary scholars not only a fertile source of ideas but what is moredisconcerting, a confusing tangle of contradictory statements "(1995: 1). Yis that since Johann Nikolaus von Faber Bolh unleashing the box of thunderlate eighteenth century with a first exhibition in Spain of ideasRomantic and post defense, no less furious by Jose JoaquinMora, many critics and scholars have been those who, over time, havetried to approach the movement seeking their marking, ie givesomewhat academic significance. Behind this attempt frustrated bysystematization is easy to find in both groups a desire to establish aliterary canon somehow collect a certain national spiritbecause, as Duran himself would acknowledge later, all great literature is bornlargely conditioned by the national character of the people whooccurs.

La producción dramática de Manuel Fernández y González (1840-1850): estudio y edición