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espanolEl tratamiento de la violacion en The Waste Land (1922) permite establecer una conexion entre la victima traumatizada y el tambien traumatizado mundo moderno. La Primera Guerra Mundial fue un desencadenante de la literatura del trauma« subsiguiente, un acontecimiento amenazador que llevo a una generacion de escritores a lidiar con el desplazamiento de su nocion del mundo y a reevaluar el estado del mundo de la posguerra. A traves de The Waste Land, se identifican los males sociales de la modernidad, pero el tratamiento que da Eliot a la mujer y a su cuerpo en «A Game of Chess» y «The Fire Sermon» subraya una identificacion femenina asi como un apoyo hacia un sistema de creencias diferente al capitalismo patriarcal. Mediante el estudio de la poetica de Eliot y de su politica sexual, este trabajo propugna la reconsideracion de The Waste Land como obra literaria feminista. EnglishRape in The Waste Land (1922) works on one level to allow for a connection between the traumatized rape victim and the traumatized modern world. World War I was the impetus for the trauma literature that followed it, a life-threatening event that caused a generation of writers to grapple with the displacement of their notions about the world and to reevalulate the state of the postwar world. Throughout The Waste Land, the social ills of modernity are addressed, but Eliot's treatment of women and their bodies in "A Game of Chess" and "The Fire Sermon" underscores a feminine identification, as well as advocacy for a belief system other than patriarchal capitalism. Through an examination of Eliot's poetics and sexual politics, this paper urges for a reconsideration of The Waste Land as a feminist literary work.

Sexual politics in The Waste Land: Eliot’s treatment of women and their bodies in «Game of Chess« and «The Fire Sermon»