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espanolDurante los siglos de la Colonia, la imagen de la mujer limena, en su atuendo de «tapada», tuvo una importancia cardinal, tanto por su construccion literaria como icono de la ciudad virreinal, como por su utilizacion para identificar y cohesionar en el siglo XIX y primeras decadas del XX un discurso identitario que fluctuo del ambito historico al literario. El presente articulo analiza, a traves de fragmentos literarios e historicos principales, la evolucion del discurso que construyo dicha imagen, asi como los derroteros de la literatura peruana visibles a traves del mismo. A ello se une la necesaria reflexion sobre los modos con que la predominante voz masculina ha construido la mencionada historia. EnglishDuring the colonial period, the image of the women in Lima, with their covered vestments had great importance, not only as a literary iconic symbol of the city, but also in the use of this image to identify and unify a discourse of identity in the 19th century up to the first decades of the 20th century. This article analyzes the evolution of the discourse which constructed this image and the different paths of Peruvian literature using literaty fragments and historical texts. It is also necessary to reflect on how the predominant male voice has contributed to the contruction of this image.

Otra perspectiva urbana para la historia literaria del Perú: la ‘tapada’ como símbolo de la Lima colonial