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espanolEn este articulo se propone realizar una caracterizacion de la escritura del despojo a partir de la novela del escritor colombiano Roberto Burgos Cantor Ver lo que veo. La hipotesis es que esta escritura hace parte de una literatura que explora la problematica del despojo no tanto como un tema entre tantos o como una cuestion externa que la literatura trae para si haciendola parte de su repertorio topico, sino como una practica critica que problematiza las representaciones y figuraciones del presente exponiendo temporalidades diversas con que la literatura colombiana toma posicion frente a los procesos del mundo social. Para ello se confrontaran los usos temporales en la narrativa de Burgos Cantor y las particularidades de la duracion del despojo. EnglishApproaching the last novel by Colombian writer Roberto Burgos Cantor entitled Ver lo que veo, this paper exposes some characteristics of what can be recognized as a writing of dispossession. One of them, in which this work focuses, leads to think the writing of dispossession as part of a literature that explores the problem of dispossession not so much as a topic among many others or as an external issue that literature brings to itself making it part of its topical repertoire, but rather as a way to problematize critically the representations and figurations, exposing diverse temporalities with which Colombian literature takes a stand against the processes of the social world.

La duración del despojo en "Ver lo que veo" de Roberto Burgos Cantor