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espanolEste articulo toma como referencia los poemas «?No hay salida?» y «El rio» de La estacion violenta (1958), para demostrar que esta obra literaria inserta el pensamiento reflexivo de que la humanidad debe priorizar sus proyectos personales, preservarlos y desarrollarlos en medida de lo posible. Esta orientacion ideologica del autor sera comprobada a traves de la interpretacion retorica de este objeto de analisis, que es valida desde la taxonomia de los tipos de metafora. Esta propuesta teorica fue formulada por George Lakoff y Mark Johnson en su libro Metaforas de la vida cotidiana (1995) y ha sido estudiada rigurosamente por el investigador Camilo Fernandez Cozman. Entre sus planteamientos, el que se empleara es el que busca la distincion y la articulacion de megametaforas (nociones generales que, a la vez, conforman las metaforas orientacionales, ontologicas y estructurales) y metaforas especificas (nociones particulares que se derivan de las megametaforas). Este trabajo tiene la finalidad de que se argumente con propiedad epistemologica el quehacer literario del escritor mexicano Octavio Paz. De la misma manera, se confrontan los conceptos de interlocutores y cosmovision como respaldo para afianzar esa peculiar direccionalidad ideologica del poemario. EnglishThis paper takes as reference the poems «No Exit?» and «The River» from The Violent Station (1958), to demonstrate that this literary work inserts the reflective thought that humanity must prioritize their personal projects, preserve them and develop them in as much as possible. This ideological orientation of the author will be verified through the rhetorical interpretation of this object of analysis, which is valid from the taxonomy of the types of metaphor. This theoretical proposal was formulated by George Lakoff and Mark Johnson in his book Metaphors We Live By (1995) and has been rigorously studied by researcher Camilo Fernandez Cozman. Among its approaches, the one that will be used is the one that seeks the distinction and articulation between megametaphors (general notions that, at the same time, conform the orientational, ontological and structural metaphors) and specific metaphors (particular notions that derive from megametaphors). This work has the purpose of arguing with epistemological property the literary work of the Mexican writer Octavio Paz. In the same way, the concepts of interlocutors and worldview are confronted as support to strengthen this peculiar ideological directionality of the poems.

Taxonomía metafórica en La estación violenta (1958), orientación retórica hacia la interpretación progresista de la humanidad