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This article consists in the analysis of six loas represented in triumphal carts as part of the inaugural celebrations of the aqueduct in Queretaro in 1738. Although the historiography and the Novohispanic literature critic do not consider this type of documents, this study aims to demonstrate that the loa elaborated for triumphal carts correspond to one of the categories of the short dramatic genre of the loa, which is close to the representations done for the court for its formal characteristics, but with a distinctive ekphrasis-explanatory function of the ephemeral apparatus that is at the same time an allegoric referent as well as a physical representation frame. Besides, by the notable presence of music, chants and the recitative style, it represents an example as that of an Italian musicality process in the Novohispanic praxis.

Las posibilidades de la loa novohispana dieciochesca a través de la Relación peregrina del agua