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espanolAndre Madre y Gotzon Elortza son los dos primeros autores de la historia del cine en euskara. Los dos rodaron casi al mismo tiempo, los dos vivian en Paris y los dos realizaron documentales amateurs: El primero, el largometraje “Gure Sor Lekua” (1956); el segundo, los cortos “Ereagatik Matxitxakora” (1959), “Elburua Gernika” (1960), “Aberria” (1961) y “Avignon” (1963). Sin embargo, son dos cineastas completamente diferentes biografica, social e ideologicamente, y representan la evolucion y el cambio de ciclo que vivio la cultura euskaldun en la decada de los 50. Con un analisis historico de sus trabajos y de las motivaciones de cada uno, este articulo contextualiza la labor de Madre y Elorza en un momento clave para la modernizacion del euskera, y trata de explicar los profundos cambios que se dieron en la cultura. EuskaraEuskarazko zinemagintzaren lehen bi egileak ditugu Andre Madre eta Gotzon Elortza. Biek garai berdintsuan jardun zuten, biek Parisetik, eta dokumental amateurrak eginez: “Gure Sor Lekua” (1956) lehenak; eta “Ereagatik Matxitxakora” (1959), “Elburua Gernika” (1960), “Aberria” (1961) eta “Avignon” (1963) bigarrenak. Aitzitik, haien arteko aldeak handiak dira, bai biografikoki, bai sozialki, bai ideologikoki. Zentzu horretan, sasoi hartan Ipar zein Hego Euskal Herrian kulturak bizi zuen aro aldaketaren lekuko ditugu. Haien lanen eta motibazioen analisi historikoaren bidez, artikulu honek, Madre eta Elortza zubi urte haietan kokatzen ditu, euskarazko zinemaren hastapeneko bi autoreen arteko ezberdintasunak, kultura osoan ematen ari zen trantsizioaren erakusgarri direla erakutsiz. EnglishAndre Madre and Gotzon Elortzawere the first filmmakers in the basque language cinema history. They both followed the same pattern, at about the same period, they were both living in Paris and wrote amateur style documentaries. The first called “Gure Sor Lekua” (1956); the second,“Ereagatik Matxitxakora” (1959) “Elburua Gernika” (1960), “Aberria” (1961) and “Avignon” (1963). However, the movie directors are completely different in their biographies as well as from a social and ideological viewpoint. That’s how they show the evolution and cycle change which basque culture knew in the 50’s decade, both in the Northern and Southern parts of the Basque Country and bring the testimony of that period. This article provides a context for Madre and Elorza’s works and motivations through a historical analysis. It shows their own differences in the key moment to the modernization of euskera, and also explains how they reflect as such, the deep changes in the culture.

Sor Lekutik Avignonera “bultzi leiotik”, Euskarazko zinemaren hastapenen bidaia