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espanolEn el cuadragesimo aniversario de la fundacion del Ballet Nacional Clasico, institucion antecesora de la actual Compania Nacional de Danza, este articulo indaga en la primera decada de existencia de la agrupacion, como producto de la transicion democratica y de la fundacion de la accion cultural tras la dictadura franquista. En su sinuosa trayectoria institucional, inicialmente orientada hacia el ballet academico, se conjugan la logica artistica con la politica cultural estatal, entonces inexperta y carente de objetivos concretos. Partiendo de la condicion heteronoma del campo artistico de la danza frente al de poder, se indaga textual-contextualmente el grado de afectacion de la politica sobre la praxis artistica y gestora, asi como sobre el modelo institucional de la compania titular de ballet academico en Espana. EnglishOn the 40th anniversary of the Spanish National Dance Company, the present article analyzes its first decade of existence, then known as National Classical Ballet. This institution was a product of the democratic transition and of the foundation of the cultural action after the Francoist dictatorship. The National Dance Company, originally oriented towards academical ballet, followed a zigzagging trajectory as an institution, merging artistic logic and national cultural policy, which lacked both experience and well-defined objectives. Starting from the heteronomous condition of the artistic field compared to that of power, this article researches literally and in context, the degree to which extent politics affected the artistic and managerial praxis, as well as the institutional model of the most prominent ballet company in Spain.

Los inicios de la Compañía Nacional de Danza: Ensayo y error de una errática política cultural estatal