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espanolErtibil Bizkaia y Arteshop Bilbao son dos convocatorias institucionales financiadas con fondos publicos, para la promocion de artistas emergentes en el contexto del Pais Vasco, con caracteristicas tanto distintivas como similares. En este trabajo, examinamos las regulaciones en las que se basan el funcionamiento de estas convocatorias, para analizar la distribucion de los presupuestos que ambos programas asignan ala compensacion del trabajo de los artistas participantes, durante el periodo comprendido entre 2012 y 2016. Tambien prestamos atencion a los resultados de las licitaciones competitivas de los artistas en terminos de concurrencia y participacion. Los resultados confirman las principales caracteristicas de la teoria de Thorsby sobre la preferencia de trabajo de los artistas (1994) y la teoria de Frank y Cook (1995) sobre los mercados donde el ganador se lleva todo. EnglishErtibil Bizkaia and Arteshop Bilbao are two publicly financed institutional calls for the promotion of emerging artists in the context of the Basque Country, with both distinct and similar characteristics. In this paper, we examine the regulations that base the functioning of these calls to analyse the distribution of the budgets both programmes allocate to compensate for the work of the participant artists, during the period from 2012 and 2016. We also pay attention to the results of the competitive tenders of the artists in terms of concurrence and participation. The results confirm the main features of Thorsby’s theory of artists’ work preference (1994) and Frank and Cook’s (1995) theory of winner-take-all markets.

Emerging contemporary artists: A comparative study of Ertibil Bizkaia and Arteshop Bilbao.