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The complexity of the relationship between writing and performance on the early modern stage is particularly evident in its scenes of clowning. A performance tradition that relied upon a combination of scripted and unscripted speech, clowning resists documentation in printed form: indeed, printing turns it into something else entirely. As Richard Preiss has noted in his recent book on early modern clowning,

Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning