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A cofounder and editor of Encore Magazine (London) in the 1950s and Administrative Director of The Actors’ Studio, New York (1959-1962), Gordon Rogoff (1931-) was a dramaturg with The Open Theatre during the 1960s. He is Professor Emeritus at Brooklyn College and the Graduate Center of the City University of New York (CUNY), and Professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama, a position he assumed in 1987. He has been Associate Dean of the Yale School of Drama (1966-1969), chair of two departments of drama (State University of New York [SUNY] at Buffalo and Brooklyn College of CUNY), and Adjunct Professor of Humanities at The Cooper Union. From 1995-1999, he was Co-Director of Exiles, a school for theatre training in Ireland. Mr. Rogoff has directed plays Off-Broadway and in Chicago, as well as in Williamstown and Stockbridge, Massachusetts. He directed his own adaptation of six stories from Italo Calvino’s Cosmicomics, in Buffalo, New York, and OffBroadway. In 1976, he won an Obie Award for his direction of Morton Lichter’s Old Timers’ Sexual Symphony (and Other Notes). His honors include a Guggenheim Fellowship, the Morton Dauwen Zabel Award of the American Academy of Arts and Letters, and the George Jean Nathan Award for Dramatic Criticism. He has contributed numerous essays and reviews to such periodicals as American Theatre, Theater, The Village Voice, Parnassus, The New Republic, The Nation, and Plays and Players. He is the author of Theatre is Not Safe: Theatre Criticism 19621986 (Yale University Press, 1987) and Vanishing Acts: Theater Since the Sixties (Northwestern University Press, 2000). The following interview took place in New Haven, Connecticut, in January 2010.

The Elusive Object and the Fading Craft of Theatre Criticism: A Conversation with Gordon Rogoff