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The broadcast failed to depict the social order as Medrano saw it—rigged against farmers, with lawmen cast as villains and bandits as victims. Eyewit- nesses interviewed for the broadcast also objected to the script. They insisted that one of the deputies killed Adrian Medrano, a farmer of Mexican descent, solely because of the dark color of his skin, mistaking him for a Choctaw criminal on the loose. The widow's letter thus at once indicted cops' casual racism, the legal order that condoned it, and the radio system that elided it. Medrano's arguments hinged upon both her sense of racial justice and her way of listening to radio. Between 1926 and 1950, during the "golden age" of network radio, many Americans extended communal values to increasingly complex national economy and politics. Populist movements revolted against the rise of the impersonal bureaucratic nation-state and the modern industrial society. The industrial union rank and file believed in "moral capitalism," a social order in

True Crime Radio and Listener Disenchantment with Network Broadcasting, 1935-1946