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espanolAl renombrado intelectual chino Hu Feng (1902-1985) se le mencionaya sea como el heredero del espiritu critico del 4 de mayo,especialmente el de Lu Xun (1881-1936), o como el asociado con unfamoso caso de persecucion politica en los anos 1940 y 1950, esdecir, la "Camarilla anti-revolucionaria de Hu Feng". Sin embargo, lalabor del joven Hu Feng como traductor durante sus anos en Japonesta algo descuidada. Este articulo situa a Hu Feng en el contexto dela literatura proletaria mundial. En el se estudian las actividadesliterarias de Hu Feng en Japon y se analiza su traduccion china,Yanggui (1930), de una novela sovietica proletaria-utopica tituladaMess Mend, o un yanqui en Petrogrado (1923) mediada a traves de unatraduccion al japones. En este articulo argumento que los anos enJapon y su traduccion de la novela sovietica conforman a Hu Fengcomo un pensador de la subjetividad proletaria internacional. EnglishThe renowned Chinese intellectual Hu Feng (1902-1985) is eitherreferenced as the heir of the May Fourth critical spirit, especially thatof Lu Xun (1881-1936), or associated with a famous case of politicalpersecution in the 1940s and 1950s, namely, the “Hu Feng Anti-Revolutionary Clique.” However, the young Hu Feng as a translatorduring his years in Japan is somewhat neglected. This article situatesHu Feng in the context of world proletarian literature. I look into HuFeng’s literary activities in Japan and examine his Chinese translation,Yanggui (1930), of a Soviet proletarian-utopian novel titled MessMend, or a Yankee in Petrograd (1923) via Japanese translation. Iargue that the years in Japan and his translation of the Soviet novelshape Hu Feng as a thinker of international proletarian subjectivity.

Translating Subjectivity: Hu Feng's Translation of a Soviet Proletarian Novel.