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The Spanish translation of the correspondence of George Sand, a writer with an androgynous identity that oscillates between male and female gender, presents the problems of a sexist and exclusive language. The translation problem arises when this woman, close to the male gender in order to obtain her place in the literary world, shows her change of identity not only in her actions and clothes, but also in her language. However, contrary to what Andre Maurois claims by saying that, from the day that Aurore Dudevant became George Sand, "she began to use the masculine in all the adjectives that referred to her" (1952: 147), her correspondence shows how she makes a random use of masculine and feminine to refer to her person. Trying to remain faithful to the alternation and even to the absence of gender in French through the use of epicene nouns and paraphrastic constructions in Spanish, this translation demonstrates the limitations of language when representing the alternation between both genders and the absence of a specific gender.

LA CORRESPONDENCIA EN FEMENINO DE GEORGE SAND: LA MARCA DEL GÉNERO GRAMATICAL EN LA TRADUCCIÓN DEL FRANCÉS AL ESPAÑOL