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This paper proposes an expansion or extension of the performance concept and public art in relation to the deployment of contemporary social movements also called global movements. We try to meet a number of essential features that can guarantee the value of this type of collective action in the ethical and socio-political context of the protest, the insubordination and struggles for collective claims. Research Project A-88-15-10  Consejo de Desarrollo Cientifico, Humanistico, Tecnologico y de las Artes DE LA UNIVERSIDAD DE LOS ANDES ULA

City, Crowd and Public Art: A Theoretical Approach to the Social and Political Performativity in th