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Due to the reality deficit that has led to the establishment of global cities, and the consequent crisis of emancipation and subjectivity in the contemporary citizen, innovative forms of urban movements are currently being developed. These intervene from the point of view of artistic practice within the public space through a series of tactical antagonist devices, revealing the work of the ‘craftsmen’, a new type of artist.

ARTEFACTOS. ARTISTIC PRACTICES FOR RETHINKING EMANCIPATION IN THE GLOBAL CITY