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La premiere partie du dossier Via Lyon ( Carte Romanze 2/2 [2014]) analysait le role de carrefour economique et culturel de la ville de Lyon dans la constitution d’une identite editoriale des romans publies en France au XVI e siecle. L’etude de ces «parcours de romans» conduit a replacer, en cette seconde partie du dossier, la notion d’«etape lyonnaise» dans la dynamique qui anime les deux principaux centres d’imprimerie francais de la Renaissance. L’etude des peregrinations editoriales, de Paris a Lyon et de Lyon a Paris, de Lancelot du Lac (G. Burg), de Valentin et Orson (M. Colombo Timelli) et de Meliadus chevalier de la Croix (A. Reach-Ngo) met ainsi au jour les diverses formes de circulation, d’a daptation et de reappropriation que les ateliers parisiens et lyonnais conferent aux œuvres romanesques qui passent sous leurs presses tout au long du siecle.  The first part of the file Via Lyon ( Carte Romanze 2/2 [2014]) analyzed the role of economic and cultural crossroad of Lyon city in the constitution of an editorial identity of novels published in France in the sixteenth century. The study of these «novels’ route» leads to situate the concept of «Lyon step» in the dynamics which animates the two major French printing centers of the Renaissance. The editorial peregrinations, from Paris to Lyon and from Lyon to Paris, of three french novels, Lancelot du Lac (G. Burg), Valentin and Orson (M. Colombo Timelli) and Meliadus chevalier de la Croix (A. Reach-Ngo), shows the various forms of circulation, adaptation and reappropriation that various Parisian and Lyon workshops give to novels they print throughout the century.

Via Lyon: Parcours de romans et mutations éditoriales au XVIe siècle. Partie II. La circulation des textes entre Lyon et Paris