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The actual essay analyzes briefly the situation of the Calderonian plays within the new taste of the Neoclassicist period, in order to examine the editions of his work that were printed from the end of the 17th century to the middle of the 18th. First of all, we study the editorial task developed by Vera Tassis in the comedies and Pando y Mier in the sacramental plays. Then, we pay attention to the volumes prepared by Fernandez de Apontes to be printed during the second half of the 18th century, when following the theorists and the preserved documents (number of sold tickets in the theatres), Calderon seemed not to be so popular amongst the Enlightment audience. Therefore, we would try to figure out the reasons why Fernandez de Apontes printed the complete work written by the playwright in a historical moment in which the taste of the audience had changed.

Una edición de autos y comedias de Calderón en el siglo XVIII: el proyecto de Fernández de Apontes