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jargon-ridden interpretations of cultural phenomena. Again, it is not difficult to appreciate Rorty's profile of today's Leftist cultural critic. The self-styled tenured radical delivering a lecture on, say, the Yale graduate student strike before catching a plane for the next stop on the conference tour is an all-too-familiar sight. The second-year grad student itching to get into the composition classroom and impart Foucauldian insights about power and institutions, but who has little interest in diction and syntax, exemplifies a

Comer, Keith. Strange Meetings: Walt Whitman, Wilfred Owen, and the Poetry of War [review]