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The samba school parades of Rosa Magalhaes are the object of analysis in this research, which investigates references to high art presence in the artist's work, set in a popular festival, and how these references may be perceived as a process of hybridization and circularity.

"ROSA DE OURO NUNCA FOI DE BRINCADEIRA": A PRESENÇA DA ARTE ERUDITA NO CARNAVAL DE ROSA MAGALHÃES