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In this article is valued the relationship of the experiences, of the affection and of the architecture of the places producing the alteration of the territorialities and of the daily urban one: we are working with the hypothesis that these factors powerful the socius, are funding a new ethos. This work analyzes the role of some musical activities (in a preliminary way) in the process of re-meaning of the spaces in the Center of Rio de Janeiro. The dynamics of four musical groups – Samba do Ouvidor, Roda de Choro Antigamente, Nova Lapa Jazz and Monte Alegre Hot Jazz Band – are focused here. These groups are organized through the social nets, promote collaborative dynamics and are capable to mobilize expressive segments of the population of the city (to motivate the “occupation of the city”, even of degraded, considered “risky” areas), fomented indirectly, in some way, economic, social and cultural activities, before practically inexistent.

Territorialidades sônicas e re-significação de espaços do Rio de Janeiro.