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The first essay entitled ‘ The Nation as Mother’ is a close scrutiny of the late 19th century intellectual exercise in Bengal through which the nation and the Mother came to be intricately tied up in various creative political discourses. Their reason and patriotism often incorporated an artistic and a magical vision of the Mother. Bankim’s Bande Mataram and 1905 evocation of Bharatmata by Abanindranath Tagore had its denouement in the myth of Parashuram performing matricide (symbolised by 1947 partition and 1990 Ayodhaya event).

Book Review of Sugata Bose, The Nation as Mother and Other Visions of Nationhood, India: Penguin Random House, 2017