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RESUMEN Donald Judd siempre defendio, como parte de su minimalismo, la estrecha relacion que mantenian sus creaciones artisticas con el contexto en el que se insertaban. De ese modo, Judd forjo la idea de activacion del espacio a traves de todo un conjunto de caracteristicas espaciales, que se proyectaban mas alla de los limites del objeto hasta alcanzar el entorno mas inmediato. Su propuesta para la calle Steinberggasse de la ciudad de Winterthur, como una intervencion de caracter urbano, constituye el paradigma de todos sus objetos especificos ubicados en el espacio exterior. Asi pues, el presente articulo analiza, desde la revision de ese proyecto, en que manera se logra la referida activacion espacial en su propuesta, desde el estudio del planteamiento original del artista y de la documentacion grafica realizada para llevar a cabo su interpretacion. Una reflexion abordada desde una perspectiva urbana, que conduce al descubrimiento de los mecanismos empleados por Donald Judd en su intervencion de tipo escultorico. En definitiva, podra comprobarse como las tres fuentes instaladas en la calle establecen un estrecho vinculo con el paisaje urbano, con la topografia y con el orden subyacente que la arquitectura determina con el lugar. Todo ello conduciria asi a una experiencia sensorial del ser individual con la propia realidad fisica: el descubrimiento de la esencia fenomenologica que resulta de unos objetos en el espacio–soporte de la calle Steinberggasse. SUMMARY Donald Judd always defended, as part of his minimalism, the close relationship that his artistic creations had with the context where they were inserted. Thus, Judd built the idea of space activation through a whole set of spatial characteristics, which were projected beyond the limits of the object until they reached the most immediate environment. His proposal for the Steinberggasse street of the city of Winterthur, as an urban intervention, constitutes the paradigm of all his specific objects located in the open space. Therefore, this article analyses the review of that project, how the aforementioned space activation is achieved in his proposal and the study of the original approach of the artist and the graphic documentation made to carry out his construction. A reflection approached from an urban perspective, which leads to the discovery of the mechanisms used by Donald Judd in his sculptural intervention. In short, it will be possible to see how the three fountains installed on the street establish a close relationship with the urban landscape, with the topography and with the underlying urban planning defined by the architecture based on the place. Accordingly, all this would lead to a sensory experience of the individual with his own physical reality: the discovery of the phenomenological essence that results from some objects in the space–support of Steinberggasse street.

proyecto, progreso, arquitectura/revista proyecto, progreso, arquitectura

OBJETOS EN LA CIUDAD. DONALD JUDD Y EL PROYECTO PARA LA CALLE STEINBERGGASSE DE WINTERTHUR / OBJECTS IN THE CITY. DONALD JUDD AND THE PROJECT FOR THE STEINBERGGASSE STREET IN WINTERTHUR