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RESUMEN Las complejas circunstancias que normalmente rodean la realizacion de una obra de arquitectura, dificultan la simultanea sistematizacion de la reflexion y la transferencia de la experiencia. Nos vemos provocados a recuperar progresivamente ese conocimiento especialmente cuando el paso de los anos identifica a una arquitectura como obra maestra para la arquitectura actual, como ocurre con el grupo residencial Romeo y Julieta. Este articulo pretende contribuir a facilitar su conocimiento compilando informacion, incidiendo en algunos detalles menores que habitualmente se obvian y aportando nuevas fotografias y dibujos realizados para esta ocasion. Como consecuencia surgen las relaciones desde la experiencia concreta de esta obra con la produccion previa y posterior de Hans Scharoun y vuelve a brillar la trayectoria investigadora del arquitecto. SUMMARY The complex circumstances that typically surround the making of a work of architecture, hinder the simultaneous systematization of reflection and the transfer of experience. We are gradually brought to recover that knowledge, especially when the passage of time identifies a building as a masterpiece for current architecture, as has occurred with the ‘Romeo and Julia’ residential group. This article aims to raise awareness of them by gathering information, focusing on small details that are usually ignored and adding new photographs and drawings made for this occasion. As a result, relationships arise from the specific experience of this work with the previous and later production of Hans Scharoun and the research career of the architect shines again.

GRUPO RESIDENCIAL ROMEO Y JULIETA EN ZUFFENHAUSEN, 1954-59. UN ENSAYO CLAVE DE HANS SCHAROUN