English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

RESUMEN Tras la destruccion extensiva de la segunda Guerra Mundial, la obra de los primeros anos de Alison y Peter Smithson se presenta como un ejercicio critico ante las propuestas urbanisticas de los CIAM, con varias lecturas posibles. Recuperar un espacio publico que se pudiera vivir por momentos sin un uso especifico. Renunciar al bloque habitacional como objeto unico, proponiendo desarrollos continuos del espacio calle. Renunciar a la idea de una ciudad terminada en si misma, proponiendo estructuras urbanas en un continuo estado de cambio. Asumir el paisaje bombardeado como patrimonio, superponiendo otras. SUMMARY After the extensive destruction of the Second World War, the work of the early years of Alison and Peter Smithson is presented as a critical exercise against the urban planning proposals of the CIAM, with several possible readings. To recover a public space that could live for moments without a specific use; renounce the housing block as the only object, proposing continuous development of the street space; renounce the idea of a complete city in itself, proposing urban structures in a continuous state of change and accept the bombed landscape as heritage, superimposing other strata.

proyecto, progreso, arquitectura/revista proyecto, progreso, arquitectura

GOLDEN LANE. SOBRE LA CUALIDAD VACÍA DEL ESPACIO PÚBLICO EN LA OBRA DE LOS SMITHSON / Golden Lane. On the empty quality of public space in the Smithson’s work