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In this paper, the combination of dancer body and props are investigated by the Gestalt theory. To well understand the relationship between "Figure" and "Ground", it can help the dancer to image the motion trajectory of props in the action space. Furthermore, it can guide the consciousness of dancers and viewers in their state of mind and spiritual world. This method show a new approach to realize the virtual choreographer’s idea. Introduction As we know, it is very important for the combination of dancer body and props how to deal with the transformation of lines, layers and dimensions, especially to the space relationship between them. For dance, "Watching" is an essential part of communication, and it also is a consciousness to activity by the application of Gestalt-Reception-Aesthetics theory. The visual object is an action of stimulating the organism or causing the nervous system [1-2], all the consciousness of viewers related by occupation and change are guided by the visual senses, and psychological level of understanding and reprocessing. Dancers and viewers in the process of creation and performance, will be active or unconscious to mobilize their perception, feel reflections of the inner state and the spiritual world. In this paper, the action space of dancers are analyzed not only by the props space, action body forms and usage characteristics, but also by the construction based on Gestalt theory. We introduce a new perspective to understand the movement trajectory composition of props in action space by the relationship of "Figure-Ground". Relationship between Action Space and Props Usage Due to the different props used in the space for dance movements, there are two kinds of spaces: "Real" and "Virtual". "Real" space mainly refers to the dancers touch the actual material props through their body, and the direction, lines, trajectories, movement planes and other factors will constitute the action space during the process. The methods can increase the wide variety of action space: Mainly through the vertical, horizontal, oblique and other directions, surfaces, dimensions, extend the limb lines props (Sleeves, Silk, Crown and Clothing), or musical instrument props (Flute, Xiao and Pipa), or weapon props (Sticks, Swords and Knives), or other daily props (Fans, Towels and so on) to achieve. "Virtual" space mainly refers to the dancers action space is presented by the props, but the dancers do not directly touch the props. The body's movement does not directly determine the formation of space. This kind of action space mainly focus on the human action through the stage lighting projected on the curtain, or smoke and other means of the stage so that the original reality of the human body into space for light and shade.

Space Analysis of Dance Action Using Props Centered on the Relationship of “Figure-Ground”