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This essay focuses on the historical development of Shengjing culture, the application research of cultural creative products, and the design research of Shengjing cultural creative products. The involvement of Shengjing culture not only broadens the mind for the design of cultural creative products but also lays a solid theoretical foundation for the design and research of Shengjing cultural creative products. This essay deeply discusses the cases related to the design application of cultural creative products, defining the problems in design, present situation, research conception and strategy of Shengjing cultural creative products. The design and promotion of Shengjing cultural creative products provide significance to develop Shengjing culture, improve the developing level of creative industry, and promote the increase of local economy. Introduction of Shengjing Culture Shengjing culture is the most typical and influential historical culture of Shenyang City Liaoning Province. In 1625, Taizu Nur Hachi of Qing Dynasty moved the capital to Shenyang City and constructed palaces, which is Shenyang Imperial Palace. Shenyang became a center of military, politics, culture and transportation in Northeast China. In 1634, Emperor Taizong Taiji of Qing Dynasty gave Shenyang City the name Mukedunhetun (language of manchu) which means a thriving city, translated into Chinese, it is Shengjing. In 1636, Emperor Taizong Taiji defined the title of the dynasty to be Qing, therefore, Shengjing became the first capital of Qing dynasty. There are three imperial mausoleums in Shengjing, including East Tomb of Taizu Nur Hachi of Qing Dynasty and North Tomb of Emperor Taizong Taiji of Qing Dynasty. In 1644, Emperor Shunzhi of Qing Dynasty moved the capital to Beijing, and Shengjing became a second capital. In 1680, Emperor Kangxi of Qing Dynasty repaired and enlarged the palaces, inner city, towers and temples of Shengjing, making Shenyang City a unique form of eight gates. During the emperor Guangxu of Qing Dynasty, Shengjing declined, and its function of a second capital was abolished. In the early 20 th century, Shengjing manchu culture totally terminated with the decline of Qing Dynasty. On Jul 1 st , 2004, the 28 th World Heritage Committee listed the enlargement project of the imperial mausoleums of Ming and Qing Dynasty of Shenyang City as a world cultural heritage. Shengjing culture witnessed the prosperity and decline of Qing Dynasty, which is not only a valuable historical treasure of Shenyang City but also a cultural name card of modern Shenyang. It lays a solid cultural foundation for the design, application and research of Shengjing cultural tourist souvenirs. The design, application and research of Shengjing cultural tourist souvenirs have significance in promoting the historical culture of Shenyang, constructing Shenyang as a cultural city, and increasing the economy of Shenyang. Application and Research on Cultural Creative Products—the Palace Musuem for Example In recent years, cultural creative products have emerged endlessly, especially the products with the theme of regional features. The most typical ones are the cultural creative products of the Palace Museum, which mix the region, history and culture. For example, there is a famous painting named A Thousand Li of Rivers and Mountains painted in the Palace Museum which was painted by Wang Ximeng of Song Dynasty, taken as a visual element, the world-famous painting was designed into a steel ruler with the function of a book mark (fig. 1). Since created, 2715 rulers have been sold online in the first month, and there are totally 13542 comments from consumers (the statistics was showed online in March 2019). Nowadays, the cultural creative product of the Palace Museum has become a brand, which influences people gradually.

Design and Application of Shengjing Cultural Creative Products