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Apogeum zimnej wojny w Europie początkow lat 50. XX wieku objawialo sie nie tylko zamrozeniem kontaktow politycznych i gospodarczych miedzy krajami pozostającymi po obu stronach „zelaznej kurtyny”. Oznaczalo ono rowniez konfrontacje obejmującą relacje na polu kultury, ktora coraz cześciej byla podporządkowana „wielkiej polityce”. Epizodem tej zimnej wojny jest sprawa wystawy „Al di la”, otwartej w 1953 r. we Wloszech i wzbudzającej kontrowersje nie tylko w polityce wewnetrznej tego kraju, jak tez w stosunkach Rzymu z krajami bloku wschodniego, w tym z Polską. Niniejszy artykul skupia sie na tych wewnątrz wloskich kontekstach oraz na roli wystawy w relacjach polsko-wloskich. The climax of the Cold War in Europe at the beginning of the 1950s was manifested by more than just the suspension of political and economic contacts between countries on both sides of the Iron Curtain. It also involved a confrontation in the field of culture, which was increasingly subordinated to “great politics.” One of the incidents of this cold war was the exhibition “Al di la,” which opened in Italy in 1953 and brought controversy not only to the country’s internal politics, but also to Rome’s relations with the countries of the Eastern Bloc, including Poland. The present article focuses on these internal Italian contexts and the role of the exhibition in Polish-Italian relations.

The “Al di là” exhibition as an episode of propaganda Cold War in Italy in 1953