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The notions of Hanseatic trade, Hanseatic culture, the Hanseatic world are so familiar in our everyday parlance, that with no further consideration I have decided to transfer the notion of Hanse to the topic I am dealing with, which is art. In doing this I didn’t stop to think what Hanseatic art is actually like, and whether there ever was a time when one and the same visual language was used in the area ruled by the trade empire that existed from the founding of Lübeck in 1159 “als Tor nach Osteuropa”,1 to the 17th century. So, before tackling the issue of the Hanseatic art canon we should define the idea. What is Hanseatic art, and where and when do we have reason to speak about it without hesitation?

Artistic Genius versus the Hanse Canon from the Late Middle Ages to the Early Modern Age in Tallinn