English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Bernardine Evaristo’s The Emperor’s Babe (2001) contributes to the imaginative disentanglement of the traditional British ethnicity-and-nation nexus and questions the related founding myth of racial purity by featuring the character of Zuleika, a young black woman who is born of Sudanese parents in Roman London. Through the depiction of Zuleika, Evaristo offers a subversive reshaping of some versions of the official British national history in the context of a wider revision of the European classical past. However, in spite of its temporal setting, Evaristo’s historical novel simultaneously engages with contemporary issues of gendered racialisation and national belonging. In its highly orchestrated poetic prose, Roman Londinium and today’s London are imaginatively interwoven. This enables the reader to correlate Zuleika’s attempts at negotiating her right to citizenship in the Roman empire to contemporary Black British feminist politics, committed as it is to resisting structures of sexist and racial discrimination at play in present-day Britain.

Bernardine Evaristo’s The Emperor’s Babe: Re-narrating Roman Britannia, De-essentialising European History