Child Minds at the End of the World

This article focuses on the evocation of children’s experiences in fiction that engages with postapocalyptic scenarios. It examines three contemporary novels from profoundly different geographic contexts—Yoko Tawada’s The Emissary, Niccolò Ammaniti’s Anna, and Diane Cook’s The New Wilderness—that evoke a child’s experience of societal collapse in the wake of a catastrophic event. Diverse meanings come to the fore as these novels outline, through child focalization, the relevance of bodily experience, materiality, and reenchantment vis-à-vis the climate crisis and its uncertainties. This discussion shows how formal choices in climate fiction are instrumental in creating an affective trajectory that complicates adult readers’ perception of our collective future. These close readings stage an encounter between the fields of ecocriticism and childhood studies that speaks to the significance of the figure of the child in the environmental humanities: even in literature by and for adults, the integration of children’s perspectives on the end of the world performs important cultural work by questioning and decentering an understanding of the ecological crisis shaped exclusively by the adult (and adultist) anxieties of parenthood.